RedLine Alumni
Jennifer Miller
Jennifer was born in northern Canada and grew up in the country, near the city of Edmonton, Alberta. Spending many hours outside and flying in small prop planes were both significant to her way of seeing the world. With a spirit of exploration, she scans her immediate surroundings for interruptions, anomalies, or overlooked passages of space as entry points for the work. Read More.
Bob Koons
Bob Koons has been active in the Denver art community exhibiting at The Museum of Contemporary Art Denver, and Sandy Carson Gallery, and as curator of exhibits such as Comfort Station at the Boulder Museum of Contemporary Art, and Gravity/Levity at the Dairy Center for Arts, Boulder. In 2005, Koons was an artist in residence at the Bemis Center for Contemporary Art, in Omaha, NE. Read More.
Terry Campbell
I have always been amazed by how a picture can tell a story without any words. I found great beauty could be made when the viewer is forced to ask questions. I create questions in my paintings by depicting people who exist in unfamiliar landscapes. It is my belief that people look within their own life and experience to give the painting they are look at meaning. I try to create landscapes that seem familiar to most but where no one can name the exact place. Read More.
Ian Fisher
Born in Canada in 1984, I was lucky enough to spend the first part of my life growing up in my mother’s art gallery. I moved to Colorado with my mom and sister in the fall of 1996. I had had success in the past painting the sky, but I was worried about the art falling into the whole cliché category of “pretty sunsets.” Read More.
Theresa Clowes
Theresa Clowes has been exploring the properties of textiles for more than 20 years. She holds a B.F.A. from Kansas City Art Institute and an M.F.A from Cranbrook Academy of Art. In addition to being a professional artist, she is also an experienced teacher. Theresa was a Senior Instructor at Colorado Academy for 10 years and is now an Adjunct Professor at Rocky Mountain College of Art and Design. Read More.
Rori Knudtson
Rori Knudtson is an artist and architect working with installation, sound, video and performance questioning physical, psychological and social constructs of space. . She lives and works between Los Angeles and Copenhagen. Read More. Read More.
Derrick Velasquez
Derrick Velasquez received his BA in studio art at the University of California, Santa Barbara in 2004 his MFA in sculpture from The Ohio State University in 2008. He grew up in Lodi, California, an agricultural staple of Northern/Central California, where he spent many summers working in a fruit cannery. This has been one of his greatest influences and accomplishments. Read More.
Alicia Ordal
Alicia Ordal is a mixed media artist who graduated with a B.F.A. from Rocky Mountain College of Art and Design in 2007. Alicia’s work focuses on the recontextualization of ideas and materials. Many of her influences come from the fractured realities that have evolved from internet culture. Read More. Read More.
Margaret Neumann
Painting is an exploration for Margaret Neumann. Her paintings define a space that hovers between two and three dimensions. Although Neumann paints images with a psychological subject matter, she is primarily interested in the process of paint, the discovery of form, and the sensuality of surface. Read More. Read More.
Sarah Scott
A papermaker and printmaker, Sarah works between two and three dimensions to make works that explore our relationship with the wonderment of nature, its sublimity, and humankinds’ trepidations of its disappearance, retaliation, and eventual loss or triumph. Read More.
Conor King
Conor King is a photographic artist born in St. Paul, MN now residing in Denver, CO. He has exhibited nationally and internationally and has artwork in both private and public collections. Read More.
Jeff Page
Born in Denver Colorado in 1978, and raised by an accountant and an artist. I studied at the San Francisco Art Institute where I received my BFA in 2002 in Interdisciplinary Studies. I make both 2-D and sculptural mixed-media work. I view each artistic endeavor as a test in braiding together concept, intuition and material. My inspiration draws on life experiences and the creative process. Read More. Read More.
Bruce Price
Bruce Price received his undergraduate degree in painting and drawing from Rocky Mountain College of Art + Design (RMCAD) in Denver, CO and his MFA from Maine College of Art in Portland, ME. In addition to numerous sole exhibitions in Denver, Mr. Price has exhibited his work nationally, and internationally in both sole and group exhibitions. Read More.
Virginia Folkestad
Virginia Folkestad creates viewer participatory, conceptual Installations. A fascination with materials, which began with toothpick sculptures as a child, has led to the combined use of steel, fibers, aluminum mesh, wax, concrete, thread and more. Read More.
Linda Campbell
Linda Campbell began making art quilts in mid-life as a way to bring balance to her life. Quilts appeal to her as a metaphor because they keep you warm and safe in the dark of night. For this reason, her quilts often contain psychological and dream images. Read More.
Viviane Le Courtois
Viviane Le Courtois has been creating process based and conceptual installations since 1989. Inspired by her surroundings and by consumer culture wherever she lives or travels, she creates installations using collected materials, sounds, videos, animation, lights, interactive elements and series of sculptures. Read More.
Clark Richert
Clark currently exhibits at Rule Gallery and is the Head of the Painting Program at the Rocky Mountain College of Art + Design in Denver, Colorado. His work has been exhibited in and collected by museums throughout the country. Read More.
Gretchen Marie Schaefer
Gretchen Marie Schaefer was born in Denver, Colorado and received a bachelor’s degree in English and Visual Arts from Regis University. She is a current artist-in-residence at RedLine, Denver. and works at the Colorado Coalition for the Homeless. Gretchen's work evokes organisms and growth through indefinable figures. Similarities between macro and micro, internal and external allow her work to investigate relationship and difference. These relationships have moments of unease as the delicate, strange globs of shinny mass reference internal organs. Graceful, fragile, organic growth and ridged, mechanic systems co-occur and awkwardly balance. Organic objects made from synthetic materials heighten a sense of difference and these objects become specimens to be examined. Gretchen explores the tension that a thing can be strange, gross, awkward, while at the same time beautiful and astounding. Gretchen strives to communicate this through various media and processes including printmaking, film, painting, drawing and installation. Read More.
Sterling Crispin
My art making practice is exploratory in nature and involves me in a wide variety of subject matter. I am interested in the Buddhist concept of emptiness, virtual reality theory, post humanism, the technological singularity and magic. Read More.
Beau Carey
Beau Carey received his MFA in painting from the University of New Mexico in 2010. He has been painting for 10 years. His landscape based work focuses on liminal spaces; spaces that look at the ambiguous line between what is manmade and what is natural; spaces that lie between as they transition between one thing to the next, from farmland to a housing development, from a housing development to a vacant lot, from open space to a designated wilderness. Read More.
Joel Swanson
Joel Swanson is an artist and writer who is currently the Director of the Technology, Arts & Media Program at the University of Colorado, Boulder. His work is motivated by the meaning and materiality of language. Read More.
Tom Guiton
I seem to be a verb. I keep “doing, making, thinking, and painting”. I change. I make things and I make paintings. (A sculptor I worked with once said, “You treat a painting as a thing.”) Each work is a stepping-stone to the next. The exploration is not linear. I try to not know as much as to know. I feel that what is omitted is the rest of the truth. I deal with the possibility of meaning. I point for you to look. Read More.
